Faces on Screen by Alice Maurice;

Author:Alice Maurice;
Language: eng
Format: epub
Publisher: Edinburgh University Press

NOTES

1. James Leo Cahill, Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé (Minneapolis: University of Minnesota Press, 2019), 3.

2. Georgio Agamben, The Open: Man and Animal, trans. K. Attell (Standford: Stanford University Press, 2004).

3. Béla Balázs, Early Film Theory: Visible Man and The Spirit of Man, ed. Erica Carter, trans. Rodney Livingston (New York: Berghahn Books, 2011), 46.

4. Ibid., 60.

5. Ibid., 60.

6. Peter Godfrey-Smith, Other Minds: The Octopus, the Sea and the Deep Origins of Consciousness (New York: Strauss, and Giroux Farrar, 2016).

7. Jacques Derrida, The Animal That Therefore I Am, ed. Marie-Louise Mallet, trans. David Wills (New York: Fordham University Press, 2008), 35.

8. Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1987), 180–1.

9. Jean-Louis Baudry, ‘Ideological Effects of the Basic Cinematographic Apparatus’, and ‘The Apparatus: Metapsychological Approaches to the Impression of Reality in the Cinema,’ in Philip Rosen (ed.), Narrative, Apparatus, Ideology: A Film Theory Reader (New York: Columbia University Press, 1986), 286–99, 299–318.

10. Stephen Mumford, Dispositions (Oxford University Press, 2003), 118.

11. Sara Ahmed, Queer Phenomenology: Orientations, Objects, Others (Durham, NC: Duke University Press, 2006), 107.

12. Genesis 1: 26–8, New International Version.

13. Derrida, The Animal That Therefore I Am.

14. Aryn Baker, ‘My Octopus Teacher Became a Viral Sensation on Netflix. Its Human Star Craig Foster Wants the Film to Inspire Change’, Time, 10 November 2020 Available at <https://time.com/5909291/my-octopus-teacher-craig-foster-interview/> (last accessed 24 September 2021).

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